Clone

Okay, I've a freebie novella. It's futuristic fable of the evils of mankind and what happens when man plays God. A tragedy that offers both love and loss. I'll be posting a little at a time.
Enjoy.

Prologue

God created life, scientists—clones, society—monsters. I’m not going to tell you I believe in God, but I will tell you this, I had a soul. I wasn’t an empty shell. I hated, I cried. There were things that drove me, things that made me—human.

Our society said that we haven’t a soul. Clones were created in a Petri dish. Because we haven’t souls, we haven’t rights.

I’ve never had belongings. I wore the standard uniform of a clone as all the others of my kind. Coarse, woven brown pants and a shirt, nothing that stood out, nothing that made me unique or an individual. No identity to call my own from the moment of my creation. I’ve no friends, no family. I can’t read or write. Society didn’t waste education on my kind. We were a product of science.

Drones.

Slaves.

Nameless.

I’d been placed in confinement when not working and forbidden to talk to anyone.

Speak only when spoken to—rule number three. No clone shall make eye contact or touch a human. That was rule number two. Many rules governed our behavior and were beaten into our conscious from childhood.

Rule number one—Clones are the property of their human keeper. They’re bred for the purpose of health and welfare. No clone should assume they’re human.

I’m number 121232 and I’m human.

In the year 2027, a great war erupted upon the face of the planet. Weapons of mass destruction were employed and two-thirds of the world’s population met with destruction.

Radioactive fallout resulted in a nuclear winter, leaving the residents of Earth with a condition called the fever. If you survived it, you ended up sterile or unable to carry a child to term.

Desperate to avoid extinction, the human race turned to cloning. It was something that started with a sheep named Dolly, many years ago, then a mammoth dug out of the Arctic tundra. Before long the most brilliant minds of the world turned to Homo Sapiens.

Clones were fresh bodies, not damaged from the fallout, and could reproduce offspring, who in turn, could create more children. These children became known as breeders.

Once able to reproduce on their own, the children turned on the clones that saved them from annihilation.

Parenticide.

We were considered unnatural and soulless—rounded up and micro tagged. The government of Europia gathered us like cattle. Many ended up in work camps and concentration centers, where their organs were harvested to help the sick from the Great War. Though, most of the clones were destroyed during the harvest, a few survived and crossed the borders to find asylum.

In the United Regions, clones were accepted and treated as humans. The U.R was a safe haven for all those who found themselves a minority in Europia. The handicapped, mentally ill, gays and lesbians—all who'd been tagged and monitored before the Great War, sought refuge there.

Realizing that the market for human organs was a profitable business, the Europian government once again began to produce clones. They served not only that purpose, but also that of slaves. Europians could create as many as they could afford to maintain.

Supply and demand, the industry boomed.

Since society perceived it unethical to treat humans in such a fashion, the Europian government created a code of laws called the Clone Codex, which stated that a clone was indeed not human, nor was it with a soul.

This legislation first came into being with the human abortion laws, where embryos were said not to have a soul, so that abortion was not murder. Since clones started life in a lab, they fell under the same definition and legal loophole.

As the years passed, clones continued to be created and the planet became divided on the treatment of our species. In Europia we were treated as livestock, worked as slaves and were put down when we took ill. Society raised their children to believe we weren't human, but a product to be used as they saw fit.

My keeper was high up in politics. Her husband was President of Europia. I'd often heard the humans whisper that even though he carries the title, she's the true governing force behind our country. My keeper controlled the world, or our half of it.

Though I looked just like her, shared the same DNA, sounded like her…I knew her not.

All my life I had wanted what she had—children, a family, and a place in society. But people took one look at the glowing blue chip pulsing in my cheek, and I was shoved aside like garbage. I'd never have what she had.

A life.

A family.

Acceptance.

Book Review: The Trouble With Demons

THE TROUBLE WITH DEMONS (ARC)
By Lisa Shearin
Ace Books
Release date: April 28, 2009
(Available for pre-order)

OPENING NOTES FROM THE REVIEWER: I think I may have let out a little squeeee (no witnesses, thank goodness) when I opened a package from Penguin Group this week and discovered—you guessed it—an ARC of THE TROUBLE WITH DEMONS inside. I lost no time jumping into the first chapter and being swept up in Raines’ continuing saga. If you’ve read my reviews before, you know I try to avoid spoilers. Knowing what’s going to happen takes the surprise and spontaneity out of the journey. And this novel has surprises, spontaneity and twists aplenty. I found THE TROUBLE WITH DEMONS slightly darker than the first two books in the series, MAGIC LOST, TROUBLE FOUND and ARMED & MAGICAL but no less unpredictable. The heroine has established a pension for doing the unexpected in the earlier books, and she certainly didn’t disappoint in this new tale of magic and mayhem.

Raine—no stranger to trouble, she—continues her penchant for getting into the most dangerous, impossible situations. There’s plenty of action, conflict, supernatural entities, epic battles, but woven into and through the adventure is Raine’s intensifying bond with, and heart-wrenching struggle over, both men who have infiltrated her life, Mychael and Tam. More on that later. On to the elements…

COVER ART: This is my favorite covers of the series, so far. The font has lost its little sparkly twinkles which makes it a bit less busy, and the use of vivid color and mythic backdrop suggests the novel’s tone. The depiction of Raine with knives drawn and “armed for ogre,” seems to capture the spitfire nature of the character I call Calamity Raine. I would still love to get a glimpse of her leading men on a future cover. Or are they best left to my imagination?

INITIAL IMPRESSION: Raine wastes no time finding trouble. By page five she’s embroiled in an attack by powerful demons who have some utterly creepy battle tactics, and who only Raine can see…and things plummet downhill from there. Yup. Calamity Raine is back.

MAIN CHARACTERS: Raine Benares is a seeker, a finder of lost things, and a sorceress of moderate powers. She’s also a street-smart, quick-witted, armed-to-the-teeth member of a family of infamous rogues and criminals. In MLTF, she found something she wasn’t looking for and has been trying to get rid of it ever since. The Saghred, an ancient, soul-munching stone of power, has claimed her as a bond servant—a plight that both disgusts her and at times gives her incredible abilities, but always at a price. Mychael Eiliesor, a fellow elf, Conclave Guardian, paladin and powerful spellsinger came into her life to help her shake off her disturbing attachment, and his job often puts him at odds with her instincts, but she knows not everything Mychael does for her is strictly in the line of duty. Tam, hot goblin, nightclub owner, recovering (or is he?) dark mage with a questionable past also finds himself entangled in Raine’s plight, though an entanglement of a different sort is more what he has in mind. When Raine accepts Tam’s help in one particularly grim and desperate scene, they find there are consequences for their collaboration. Serious consequences. As Raine’s dilemma continues, the love triangle manifests itself in a profound way and ultimately represents the forces of Good, Evil…and Raine.

SUPPORTING CHARACTERS: Oh my, where do I start? Phaelan, Raine’s infamous pirate cousin holds his own with the most menacing threats despite his lack of magical ability. Phaelan is devious, conniving, swaggering and steadfastly loyal. Phaelan’s dad, Raine’s uncle, Commodore Ryn Benares also steals a scene or two. Piaras, Raine’s young friend and adopted “kid brother” is a spellsinger university student of incredible talent. So much talent that it often threatens his life. Talon Tandu, friend and fellow student of Piaras, is a young, seductive, half-blood goblin/elf—and Tam’s son. Sora Niabi, professor of demonology, is very good at her job and a peer Raine can relate to. Vegard, the Guardian assigned to protect Raine, or just keep up with her—good luck with that, V—becomes an unwilling sidekick to many of her escapades. Archmagus Justinius Valerian, most powerful mage on Mid next to Mychael, is still recovering from an attack that occurred in book two. Or is he? Raine’s father, Eamaliel Anguis, also has a presence, though from inside the rock, and has a surprise in store. There are many more characters and it’s important to remember the names and roles of each, as they often make encore appearances.

VILLAIN: There are, once again, many who might qualify as “villain material,” and most either want to possess the Saghred/Raine talent team, or want the stone and/or Raine contained, controlled and destroyed, in no particular order. Sarad Nukpana is back in all his evil glory, as is Rudra Muralin, power-goblin of the past. Sundry demons, my favorite of which is yellow and pops out of the…well, on second thought, see for yourself. The demon horde has a formidable leader who’s in control of the invasion, and thinks Mychael would be quite delicious. Even some of the “good guys” are bad guys, and Carnades Silvanus, in particular, is always plotting and manipulating facts to suit his plans.

OTHER CHARACTERS: There is a large and well-drawn contingent of minor characters, including loyal Guardians, dark mage bodyguards, corrupt officials, seedy minions, and supernatural creatures of darkness. They have a habit of springing at Raine at any time and from any direction. Definitely keeps a reader on their toes.

WORLD BUILDING: The imaginative world continues on the Isle of Mid, home to the Guardian citadel, a university for learning the magic arts, the Quad, government buildings, tunnels, streets, alleys, abandoned edifices, passageways and a bustling seafront. In this fantasy world, the threat of a lawsuit is sometimes as imposing as the threat of violence.

CONFLICT: Raine wants one thing—to rid herself of the Saghred stone. Well, maybe she wants three things, Mychael and Tam also being at the top of her list, though she has good reasons for distancing herself from both despite the fact the Saghred wants to collect them as a packaged set.

ROMANCE: Raine and Mychael and Tam, oh my! How’s a girl to decide between the powerful White Knight of Mid who is sworn to protect her but shouldn’t even associate with her—not that he can stay away—or one of the darkest of dark mages who is doing everything he can to change his spots for Raine. Although this novel can’t be classified as a romance, I feel the romantic conflicts between the main characters is one of the most powerful aspects of this series. The characters are so compelling that I, as a reader, can’t make up my mind who I like better for Raine’s suitor any more than Raine can. That makes for some wonderful prolonged romantic intrigue that has carried through the first three novels, only gets more entangled in the third, and doesn’t look to be resolved anytime soon.

MOST QUOTABLE QUOTE(S): Sooo many fantastic quotes in this one, but some are so pivotal to the plot that I don’t want to spoil all the fun, so here are just a few non-spoiler extracts:

Phaelan’s philosophy: “Live fast, die young, and leave behind a damned fine-dressed corpse.”

Raine’s family: “I’m a Benares. Our standards of proper behavior are a little different than everyone else’s.”

Raine’s lament: “I scare me.”

MAGIC QUOTIENT: One of Raine’s thoughts pretty much sums it up: “…an apocalyptic, magical kaboom waiting to happen.”

EVIL AUTHORS GUILD STAMP OF APPROVAL: The Evil Authors Guild exists to encourage writers to inflict appropriate amounts of terror, angst and emotional torture into their characters’ lives, and to leave them twisting in the wind at every opportunity. As you may have guessed from the comments above, this one gets one big, fat, red Approved.

FINAL WORD: It’s rare when a sequel can carry on the inspiration and freshness of the original novel as ARMED & MAGICAL did. It’s rarer still when the third novel in the series can take the reader into uncharted territory in terms of romantic stakes, danger and spontaneity. THE TROUBLE WITH DEMONS goes there. The characters get a bit of a breather at the conclusion to reflect, rethink and possibly reload. The story is left with a wonderfully-developed suggestion of impending doom and a sharp, edgy hint that history is about to repeat itself. This air of suspense will no doubt leave readers clamoring for the next book in the series. THE TROUBLE WITH DEMONS delivers in spades…and rapiers, spears, daggers, and loads of “kaboom.”

The DILF Anthology is out.

The hot Dad's Anthology is out. Stop by Ravenous Romance.

It's book of the day.

Interview with me!!

I've been interviewed by Margaret West - link below.

http://margaret-west.com/blog/?page_id=83

Autographs later!

Speakeasy is out.

Hi, all.

My name is Dawn, I write under the name of D. L. Jackson. I’m a RR writer and thrilled to be able to share space with such a talented and fantastic group. I have three shorts in the anthologies, Men in Shorts, Sex and Shoes and the new Hot Dads or DILF Anthology. I also have a fourth short published as a stand-alone, Speakeasy. Which I’d love to tell you about.

Here’s a brief blurb:

You hauling anything illegal, Miss?

The roaring 20’s, guys and dolls, gangsters and prohibition. Leah is an outlaw, smuggling liquor to the speakeasies in New Orleans in a time when getting caught meant you might not see the outside of a cell again. In a chance encounter with Max on Christmas Eve, she learns there’s a bigger adrenaline high than transporting booze across state lines. Getting Max to chase her. Better yet—getting caught.

I’ve often been asked where I come up for the inspiration for the stories I write. Honestly? Life. When writing Speakeasy, the inspiration came from two sources. The first is this elderly woman who comes into the bank every week where I work. She has a walker and usually a cookie or muffin wrapped in a napkin, tucked away in her pocket to share with the teller who waits on her. We’ll call her Mary. Mary is in her nineties, a hunched back from weak bones, pale skin, almost translucent with age. Her once clear blue eyes are now hazed over with cataracts and her hair is pure white. I never realized how beautiful Mary was, until a gentleman stepped up to my window one day as she was leaving. “There goes the most beautiful doll in the world.”

He smiled as if he held a great secret. In fact he did.

“You should have seen her in her glory days. She used to sit on the piano and sing. There wasn’t a man in town that wasn’t in love with her. She’d walk down the street and they’d all stop to stare.” It got me to thinking…

I pulled out an old photo of my grandparents, when they were young. They were standing beside an old car, my grandfather’s foot on the running board, a rose in my grandmother’s mouth. Just like Bonnie and Clyde, wanting to look wild and reckless. My grandparents recently celebrated their 75th anniversary. I asked my grandfather. “What was grandma like in her youth?”

“The first time I saw her, I couldn’t speak. She was all I saw and the clocks stopped ticking.” Poetic for an old cowboy in his nineties. Who were the passionate hearts of generations past? Who were those women that sat on the pianos, worked as nurses when the profession was a questionable choice for a single woman, the cowgirls that inspired the cowboy’s songs and poetry. Who were the women who made the clocks stop ticking? What were their stories?

Have you ever asked your grandmother, your mother the tales of her youth? You might be surprised at the passionate tales they have and sometimes questionable things they did. Were they the beauties that set the county’s hearts aflame or the quiet girl who stole your grandfather’s every thought with one look?

Here’s to the woman who weren’t afraid to love and take chances. Here’s to Mary, Opal and Marjory. May your stories live on in your posterity and in our hearts. May I do them justice when I tell them.

Now go on, dig out those old photos. I know you want to.

Dawn

Anna in the Middle - out today!!

The blurb
Anna is in the middle of a mess. She's being stalked by a manipulative guy who's about to marry her sister and has everyone convinced Anna is jealous. Her luck changes when she meets tall, blond and gorgeous Jax. But after a scorching night of sex, Anna discovers something that makes her think he's married.

Jax is in the middle of a dilemma. He's torn between the man he loves and a woman he's just met. Tracking her down means risking what he already has—but he wants them both. Jax is desperate to find her, but will she understand what he has to tell her?

Will is in the middle of heartache. He knows Jax loves him, though he's never said it. He also knows Jax has found a woman. Torn between being a good friend and Jax's lover, Will's not sure their relationship will survive. The only way to find out is to locate Anna for Jax. But when Will finds her, he discovers the reason Jax has fallen so hard.


available now from Ellora's Cave

http://www.ellorascave.com/productpage.asp?ISBN=9781419920837

Enigma of the Industry: Arlene

I wish I can verbalize reality as well as I can make believe, but seeing as I can't, I went ahead and stole the following from Nathan Bransfords blog.

Ten Commandments for the Happy Writer

Writers aren't generally known as the happiest lot. As a recent Guardian survey of some top writers shows, even the best ones don't particularly enjoy it all that much. And in case you think this is a new development, an 1842 letter from Edgar Allen Poe to his publisher recently surfaced in which he was found apologizing for drinking so much and begging for money.

But believe it or not, writing and happiness can, in fact, go together. For our Thursday entry in Positivity Week, here are ten ways for a writer to stay positive:

1. Enjoy the present. Writers are dreamers, and dreamers tend to daydream about the future while concocting wildly optimistic scenarios that involve bestsellordom, riches, and interviews with Ryan Seacrest. In doing so they forget to enjoy the present. I call this the "if only" game. You know how it goes: if only I could find an agent, then I'll be happy. When you have an agent, then it becomes: if only I could get published, then I'll be happy. And so on. The only way to stay sane in the business is to enjoy every step as you're actually experiencing it. Happiness is not around the bend. It's found in the present. Because writing is pretty great — otherwise why are you doing it?

2. Maintain your integrity. With frustration comes temptation. It's tempting to try and beat the system, whether that's by having someone else write your query, lying to the people you work with, or, you know, concocting the occasional fake memoir. This may even work in the short term, but unless you are Satan incarnate (and I hope you're not) it will steadily chip away at your happiness and confidence, and your heart will shrivel and blacken into something they show kids in health class to scare them away from smoking. Don't do it.

3. Recognize the forces that are outside of your control. While it's tempting to think that it's all your fault if your book doesn't sell, or your agent's fault or the industry's fault or the fault of a public that just doesn't recognize your genius, a lot of times it's just luck not going your way. Chance is BIG in this business. Huge. Gambling has nothing on the incredibly delicate and complex calculus that results in a book taking off. Bow before the whims of fate, because chance is more powerful than you and your agent combined.

4. Don't neglect your friends and family. No book is worth losing a friend, losing a spouse, losing crucial time with your children. Hear me? NO book is worth it. Not one. Not a bestseller, not a passion project, nothing. Friends and family first. THEN writing. Writing is not an excuse to neglect your friends and family. Unless you don't like them very much.

5. Don't Quit Your Day Job. Quitting a job you need to pay the bills in order to write a novel is like selling your house and putting the proceeds into a lottery ticket. You don't have to quit your job to write. There is time in the day. You may have to sacrifice your relaxation time or sleep time or reality television habit, but there is time. You just have to do it.

6. Keep up with publishing industry news. It may seem counterintuitive to follow the news of a business in which layoffs currently constitute the bulk of headlines. But it behooves you to keep yourself informed. You'll be happier (and more successful) if you know what you're doing.

7. Reach out to fellow writers. No one knows how hard it is to write other than other people who have tried to do it themselves. Their company is golden. If you're reading this it means you have an Internet connection. Reach out and touch a writer. And plus, the Internet allows you to reach out to writers without smelling anyone's coffee breath.

8. Park your jealousy at the door. Writing can turn ordinary people into raving lunatics when they start to believe that another author's success is undeserved. Do not begrudge other writers their success. They've earned it. Even if they suck.

9. Be thankful for what you have. If you have the time to write you're doing pretty well. There are millions of starving people around the world, and they're not writing because they're starving. If you're writing: you're doing just fine. Appreciate it.

10. Keep writing. Didn't find an agent? Keep writing. Book didn't sell? Keep writing. Book sold? Keep writing. OMG an asteroid is going to crash into Earth and enshroud the planet in ten feet of ash? Keep writing. People will need something to read in the resulting permanent winter.

Enigma of the Industry: Arlene

Frustration....writing at work and getting interrupted every two minutes.

Frustration...something up with Microsoft word and it's taking too long between clicks to load unless I reboot every couple hours.

Frustration....my problems with writing stem from writing a tome, 3 book series, without learning how to write first so rewrites are sooooo boring.

The editor at Tor publishing would not have misunderstood me if he hadn't been exhausted and I hadn't stalked and approached him without the ten minute time slot which I would have had if I'd booked before he filled up.

If I wasn't such a timid dreb, the social skills of a wall flower, I'd have slept the night before and could have engaged the thought in my head, 'new age is hippy-angel religious stuff, right?' But my photon is evil out of my mouth, and he'd have laughed and listened further.

So, my words of wisdom are: It's not always the agent-publisher, but the writer who thinks they have something, and they do, but they can't or won't or don't take the time to get it out of their head correctly.

And, conferences are alot of fun, but sign up for the entire thing in case you do want a chance to talk with someone further and never listen to an older sister who think it's a matter of image. Dress presentable, but comfortable. You're selling yourself, not a polished version that isn't really you and sneakers make your brain work better than borrowed heels.

This is an ego thing--Your Baby--and if the real world doesn't fall all over it, or you can't present it right, there's a zillion others out there willing to do the work, so you either write something else to open a door, or keep trying with rewrites and other publishers/agents until finally you draw the longer straw and someone in the business strikes a spark with you.

An update on me in this moment in time? I'm in family counseling with the series, but leaning toward divorce. I'm pushing a teenager stand-alone out the door and, yippee, I'm trying to get pregnant with something I don't have a clue what it'll turn out to be and I'm boggled down with crits maintaining a lovely symbiotic relationship with people who understand.

Enigma of the Industry: Laurie

Arlene—we're missing your words of wisdom. Maybe you'd like to comment on your frustrations with SE, like the editor you pitched who dismissed it as "new age" because he keyed in on certain words and assumed it was about angels, when it's really SF with a basis in physics. Do agents and editors really take the time to listen? Maybe they just don't have the time to listen--another enigma in itself. I recently heard a story of how one agent lamented that she'd wished she'd had a shot at a particular best selling novel, and the writer just smirked and (to her credit) said nothing , because she in fact HAD queried her and been rejected.

Also, I'd like to challenge some never do this advice often given to pre-published authors:

"You should never write additional books in the series until your first novel has sold and done well."

I beg to differ. Why not write a series if that's what inspires you? A waste of time? Writing is never a waste of time when you're churning out work that pleases you. If you're pleased, chances are your potential fans will be too. Maybe more than pleased. And wouldn't this solve the enigma if your first novel does go gangbusters and the reading public comes back with the demand of more, more, MORE! You already have it, have it, HAVE IT! and you know it's not going to be a disappointment because you and your muse had time to collaborate on a great story and work out the kinks without the dread deadline thundercloud looming on the horizon.

Let's face it, most of us don't write for the money, we write to tell a great tale that we want to share with the world. So if the inspiration keeps you writing with enthusiasm for three or four novels, then more power to ya! You aren't wasting your time, and you may just be building your future dynasty with a solid backlist of offerings.

Enigma of the Industry: Barbara

I think the author who has a stockpile ready once the first is accepted - is pretty much par for the course. Another CC member - who writes MM BDSM has had that happen to her. One novella accepted and they leapt on the others she'd already written.

I think for epublishers - there is less pressure on authors. I had a few chatty emails from one editor asking when she could expect my next but there was no pressure. Its different for the print guys who have to work to tight schedules and plan things years in advance. The epublishers don't have to do much more than space out their author's releases.

The fact that I had several in my pocket has taken off the pressure - in that even if I had a book accepted today - it wouldn't be put out for several months. So technically, I need to keep writing to keep up a reasonable publishing schedule - and that is more to keep in the reader's mind than anything else. I have heard of writers pushed by readers to write faster, write more of the same, etc. - not happened to me yet!

The other interesting thing is with more than one publisher to write for (the case for ebooks and not print) - how do you decide who to write for next?? You're usually tied in to one publisher for certain types of book. The contracts mean you have to submit each subsequent work to them. I feel now it would be tricky for me to write paranormal for EC - even in a different series.

But I think all this is easily handled by writers without agents. It's in the print world that you need their help. But with that help comes pressure.

Enigma of the Industry: Laurie

An author who is just about to publish her third book (and at least so far seems to be turning out utterly fantastic sequels) covered this issue on her blog and said that the editors and agents expect writers to be professionals. Okay, understandable, but a muse is a many splendored thing, but it's hard to pound your round muse into a square hole when it comes to having a flash of brilliant inspiration, or knowing just how to "fix" a scene or element that isn't working, or kick out a product by a specific date. You can't send a memo saying, "Muse, I have a project for you. I want you to write a 100,000 word, utterly brillaint, take-reader's-breath-away story with a can't-put-it-down plot, characters and premise, and I want it to be perfected and ready to go to press by this date." And your muse will laugh and say, "Oh reaaaaally? You want it WHEN?"

On the flip side, agents, editors and publishing houses need you on some sort of a schedule if they are going to be partners in building your career and making you a success. They can't except an answer like, "Hmmm, well, I dunno. Counting muse vacation time, plot development sabbaticals, research vacations and negotiating detours around potential plot roadblocks...I should get back to you in two or three years with a novel that will knock your socks off." Not gonna fly.

So how do you avoid getting in a jam? I think Barbara had the right idea, or maybe just the PERFECT TIMING (sorry, couldn't resist the plug) by completing a score of novels before her first sale. (A situation I think Dawn is also going to be in with her myriad of projects.) Of course, Barbara also writes at warp speed (compared to my impulse power), but it took her years to develop the system that works for her and results in a saleable product in a relatively short time. Even so, now that her stockpile of novels has been pretty much sold out, she'll be in the situation of producing on demand.

Barbara, any thoughts you'd like to share on that?

Enigma of the Industry: Dawn

As for deadlines, I think more writers need to be up front with their publishers. The publisher asks, can you do it in six months. Can you? If you're not sure you better speak up. Nothing like locking yourself into a three book deal and not keeping up on your end. If you rush, will it be substandard? I've heard horror stories. When you sign that contract, you better be damn sure you can do it. If not, you're putting your career and name on the line. What can happen is you turn out a great first novel, the next one sucks and then not only are you out money and time, you're out readers who had faith in your work. The third ends up dropped by your publisher and you're lucky if they don't drop you.

Yes it's damn hard getting published, harder yet staying there. You have to be honest, with yourself and your publisher. I've waited a year for a book to come out and I survived the wait. Fans waited for Harry Potter, they wait for Jim Butcher, Karen Marie Moning. Writers can say "No, I need longer." Especially if the book you deliver lives up to expectations.

So are ya'll asking me to pity these successful authors because they don't know how to say "No, I need more time than you're suggesting?"

Beginning authors get crucified for less.

Enigma of the Industry: Laurie

Dawn, you hit the nail on the head (amen, amen and amen!) with that. Let me add my two cents worth:

Personally, I think deadlines kill creativity. I've said that many times, and I acknowledge it's a viscous cycle. You write a book that's inspired, entertaining, popular and a huge success, and suddenly the world wants more...more...more...now...now!...NOW! How can anyone create good work under that kind of pressure, let alone a sequel that's half what it could be, or what fans expect it to be?

A blog I frequent recently posted a link to another author's blog who is in such a situation. He's had to push back the deadline on his next novel, and apparently his "fans" are getting downright homicidal about it, and putting him under tremendous pressure. He wrote a bit of a rant just to vent on his frustration at the situation, and I completely relate to his feelings. Why would fans do this to a writer? Personally, I give him credit for sticking to his principles and refusing to kick out something by the required deadline when he knows it's going to be a disappointment. And of course the irony is, if he did cave to pressure and turn out a second rate piece of work (as, unfortunately IMHO many authors do because they are trying to force their muse to meet the demands of their budding career) then the same fans clambering for the sequel would probably crucify him. It's a Catch-22 if ever there was one.

But there's the dilemma. How do you build a career if you don't do what's demanded of you by fans, editors, publishing houses? The wheels of the industry turn on the ability to supply on demand. When you're dealing with all of life's other priorities and deadlines (like, most of us have to work for a living, because let's face it, few authors make enough to support themselves) how do you produce quality work when the pressure makes your muse dry up? What's the answer? Is there an answer? Maybe not, judging by the state of so many sequels I've read.

John Scalzi posted this on his blog. I think it frames some of these issues from a popular authors's POV.

Now we're on a roll.

Enigma of the Industry: Barbara

Maybe they're lazy and their editors are either lazy or scared to criticise. I think pressure does get to these names though - the need to keep grinding books out is intense so they write with little author-editing. Maybe they expect the editor to do it and they don't because they think - hey , this author sells - who am I to point out too much use of 'was' - too much head-hopping, etc.

Maybe I'm unusual in that I love editing. I love going over and over a story and making tweaks and changes to improve it. Because I'm not a forward thinker - I don't have the plot mapped out in my head so I need to backtrack all the time to stick stuff in. Case in point with the WIP - Outcasts. I really shouldn't have posted it so soon. I'm not ready yet and I can see there is more that needs to go in these first two chapters.

But it's easy to see some of the big names have gone off!! Even smaller names who I've enjoyed - their later books have disapointed. I really need to reread the earlier work to see if it's me! Have my standards raised because I now know what to do and what not to do? If I see mid-paragraph head-hopping in a story I go wild, but my first stories were full of it.

The Enigma of the Industry: Dawn

I picked up a book the other day and wanted to throw it against the wall. (No, I'm not mentioning the name). The same example of bad writing that I've mentioned before stared back at me from this NY Times bestseller's novel. Cliches, wordiness, excessive use of modifiers and the first paragraph had at least, wait, let me count... 10 inactive "was". This is the writer's latest release. They have 61 published novels to their credit, so it's not like they're a beginner.

In three years, you can see the difference in my writing. So why do I see this in a well-seasoned writer's work? To me it's like they aren't even making a conscience effort to write "well," let alone good or great. Since when was it more important to get the story out, than to write a great story? Where do writers cross the line to writing because they need to tell a damn good story and writing because they have deadlines?

Does this happen to every sucessful writer? Why? Damn it. You know they didn't start that way. Is the pressure so high, we can't take a moment to think about what we're penning to paper? Okay, I know that they have deadlines, but come on. We rookies are expected to tighten, control the inactive voice and modifiers. Getting into print demands it. Shouldn't staying in print demand it as well? And don't give me some sappy story about deadlines. Phttttthhhp. You want me to continue buying your books, make a conscience effort to write well like every beginner must.

How do writers who do the above maintain their place as NY Times Bestsellers???

Somebody please explain.

Tell me, Barbara. You know. You have the pressure of the deadline.

Topic for this Week: Enigma of the Industry

This week we'll be presenting our views on the Enigma of the Industry. Does the publishing industry set many writers up to fail? Why are sequels so often a disappointment? Why does the work of some seasoned authors seem to decline in both quality and substance as they make a name for themselves? What elements, in our humble opinions, cause this?

This is simply a discussion--how we see things, what our take is--based on our various experiences and opinions. What do you think? Are we hitting the cruxt of the matter? Totally off the mark? We may not even agree among ourselves on some points. Feel free to jump into the discussion with your own comments, perceptions, and arguments. We're all ears.

Aspiring Author Alert!

Here's an informative LiveJournal post on What (Samhain) Editors are Looking For.